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| Wole Soyinka reads from his work at George Mason University |
Lakunle:"Let me take it"
Sidi: "No!"
Lakunle: "Let me" (seizes the pail. Some water
spills on him).
Sidi: (laughs) "There!
wet for your pains. Have you no shame?"
Lakunle: "That is what the
stew pot said to the fire"
Opening scene from The Lion and The Jewel a play by Wole Soyinka
For weeks this script run its
course in our home. Our lazy afternoons were spiced with rehearsals as my sister
incorporated us into a mini production. She had been selected to act the role of Sidi in the play, The Lion and The Jewel. Sidi is the beautiful
belle in llujinle village being wooed by Baroka the village lad and Lakunle the educated
young man. As she weighs the two potential lovers, the
influence of education on African culture spills through the lines.
Our
literature syllabus in the 90’s was strongly influenced by great African
writers: Chinua Achebe; “Things Fall Apart”, “God’s bit’s of Wood”, “No longer
At Ease” and Wole Soyinka’s plays: “The Trials of Brother Jero”, “Kongi’s
Harvest”, “Death and The Kings Horseman”. These are the fathers of African
literature. Writers who sought political asylum for communicating the perils in
society through soft forms that made for good entertainment but also identified
the glaring problems.
Plays by Wole Soyinka were on the UACE literature syllabus and on our book shelf. We laughed at his humor in The Trials of Brother Jero but noted the hypocrisy of so called preachers all around us.
Plays by Wole Soyinka were on the UACE literature syllabus and on our book shelf. We laughed at his humor in The Trials of Brother Jero but noted the hypocrisy of so called preachers all around us.
As a literature student growing up
in the 90's Wole Soyinka’s plays; "The Trials of Brother Jero" and
"Kongi’s Harvest" were core to our Literature syllabus. We
explored the themes of neo colonialism and the influence of Christian religion
on traditional Africa. We discussed plot and structure; humor and satire as means
of communicating the issues of society. Literature and English students all
over the African continent read, laughed and pondered Soyinka's plays. More
than the entertainment, our success depended on grasping these ideas and
presenting them in the exam.
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| Wole Soyinka with literature students and attendees |
As part of their International
week, the Global Affairs department at George Mason University, invited Wole
Soyinka for a panel discussion and a reading. I cancelled all plans for the day
and got there as fast as I could. 30 minutes to the start of the event, the
hall was nearly empty, I confirmed with the people sprinkled in the front seats
that indeed I was in the right place. Publicity was poor, I could only imagine
the scramble if Wole visited Uganda.
My eyes lit up as he walked onto the stage,
his signature white hair filled his head like one big cotton ball. We clapped
and sat in reverence, leaning forward to shut out any distraction. The 6 foot
representation of academic success, acknowledged universally by the
presentation of the Nobel prize for Literature in 1986. This African man, who
broke stereo types and placed Africa on the map, showed that we too were an
intelligent race.
Akinwande Oluwole
Soyinka, know more commonly as Wole Soyinka was born on July 13, 1934 in
Abeokuta village Nigeria. He eagerly talked about his life events as though
they were folk tales and we like grand children gathered around a fire at story
time, sat attentively to drink in all the wisdom that we could gain in his
presence. His humor transcends his work,
"I escaped on a motor bike through
the Nadeco route" he said referring to the time he fled Nigeria which was
under the oppressive dictatorship of President Sani Abacha. He said Abacha pronounced a death sentence
on him but he denied him the pleasure of hanging a Nobel laureate.
Prior to that Soyinka spent 22
months in solitary confinement because he protested the military dictatorship
in Nigeria. No warden could speak to him, they were under strict orders to feed
him and provide his supply of cigarettes. But an empty small room could not
confine the numerous thoughts bubbling in Soyinka's mind; he turned the
cigarette foils and toilet paper into mini writing pads, and
somehow managed to manufacture ink. He turned his environment into allies
- the mind is capable of incredible ingenious under pressure. As with any
system, he found the loop holes and had his books smuggled into his cell where
he wrote his poems in between the white lines. Now I know, experience makes a
man.
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| Wole Soyinka answers questions from an attentive audience |
When asked about his favorite
writing location he said it was his home in Nigeria. He added that any place
and any time is a great to write but one needs to close out the world around
and concentrate. This comes with a sacrifice he said, that means in many cases
you will be the last to know what is happening in the world. He cited the time
in 2001 when he was traveling to the United States and was so engrossed in his
work when the plane landed in Buenos Aires. On inquiry as to why they were
there he was told two jet planes had been hijacked and crashed into the twin towers -
9/11.
As for Africans in the diaspora he
had one piece of advice "Don't lose touch with your home country". He
recommended a visit for several months a year, to engage and offer free
services in one's profession. "You can't lose who you are" he said
His humor, intellectual brilliance
and awareness of the world around him shown through.
His poems
were intellectual, some were hard to understand but I certainly got the sense
that there were profound ideas being communicated. But listening to him read
them out loud, made them more palatable.
