African Dance

Have you listened to Amapiano? Man! The log drum hits different. It irons out emotions on its threshing floor. When faced with those gentle persistent hills on a morning jog, the log drum pushes me forward, it gives me resolve. As my heart races and my lungs expand for air, the log drum keeps my feet in motion with its sequence: one-one, two-two, one-two, two-one, five-five, a hundred. “You can do it!” I go. 3 miles, 4 miles… nice! 

The African drumbeat speaks and African’s love rhythm, it is magical. Rhythm reaches deep into our souls. It gets people going. I listened to the drum beat in Jinja, by the Nile River – the translation of the rhythm in to language was not lost on me. The drummer layered sensual sentences into his beats – you listen and know, then you watch people dance – the communication is complete. It is crazy. 

But have you also noticed that most traditional African dances are racy? I guess there are only a set number of body parts that can groove. I had never thought about it until uncle J came for an evening chat with my parents. This was the era when Congolese dance videos saturated UTV – Tshala Mwana and Pepe Kale disorganized Uganda. My mom was appalled by all the movement, dad couldn’t be bothered but uncle J, a little tipsy and free of all inhibitions grabbed the elephant in the room. 

He said, “But you know African dance has always been about …” he started naming body parts. Mom sprung from her chair; uncle J was known to have little restraint with his language. She closed the door with the hope that the heavy words flying from his mouth would sail into the open air and dissolve somewhere beyond the gate. But uncle J was not done, he kept on talking. They moved to the veranda.

On the veranda, they could engage in further conversation with a bit of privacy or so they thought. As it turned out, my bedroom was adjacent to the veranda so when uncle J begun to speak and with the influence of alcohol raise his voice, it carried without restraint through the open windows. It settled on the beds, the heads and the ears of anyone in the room. Suddenly mom remembered the windows to my room were open, every syllable pushed its way in. She slammed the shutters muttering something about mosquitoes. I was seated on the bed, not quite dotting the “I’s” and crossing the “t’s” in uncle J’s sentences but mom’s antsy behavior drew my attention and I listened in. Uncle J was quite on a roll about legs and backsides. I had never before considered the “Bakisimba” and "Nankasa" as anything more than a cultural dance. Ah! Then I looked at “Ding-ding” and saw a pattern of human expression saved by raffle skirts and long flowing bitenge. 

Mom was at a loss, the words flew where ever they willed, no doors or windows would stop them. 

She resigned and in the next breath as if waiting for her to calm down, uncle J swiftly moved on to politics. She called for one more round of hot water for the Ajono. 

Before long, dinner was served, the news was read by Baale Francis (RIP) and uncle J was ready to head back to his home fully satiated. 

Oh the things that come to remembrance. I think these are signs of aging. :-)